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Clint Eastwood

Adams, Thelma. “Midnight in the Garden of Good and Evil.”New York Post, (21 November 1997), 53.

Ansen, David. “A Perfect World.” Newsweek , (29 November 1993), 72.

Ansen, David. “Midnight in the Garden of Good and Evil.” Newsweek, (1 December, 1997), 87.

Atkinson, Michael. “Aging Bull”, The Village Voice (13 December, 2004). In http://www.villagevoice.com/generic/show

Beard, William. Persistence of Double Vision: Essays on Clint Eastwood, Edmonton: The University of Alberta Press, 2000.

Bernal, María. “Un clásico en órbita: Clint Eastwood.” Fotogramas, LIII. 1884 (October 2000), 98-103.

Bingham, Dennis “Masculinity, Star Reception, and the Desire to Perform: Clint Eastwood in White Hunter, Black Heart.” Post Script: Essays in Film and the Humanities, 12.2 (1993), 40-53.

Bingham, Dennis. Acting Male: Masculinities in the Films of James Stewart, Jack Nicholson, and Clint Eastwood, New Brunswick, New Jersey: Rutgers University Press, 1994.

Blundell, Mary Whitlock y Kirk Ormand. “Western Values, or the Peoples Homer: Unforgiven as a Reading of the IliadPoetics Today, 18. 4 (1997), 533-569.

Buscombe, Edward. “Space Cowboys.”Sight and Sound, 10.10 (2000), 60-1.

Combs, Richard. “Bird.” Sight and Sound, (Winter 1988/89), 61.

Combs, Richard. “Old Ghosts: The Bridges of Madison County.” Film Comment, 32.3 (1996), 25-32.

Combs, Richard. “Shadowing the Hero.” Sight and Sound, 2. 6, (1992), 12-16.

Combs, Richard. “White Hunter, Black Heart.” Sight and Sound, (Autumn 1990), 278-279.

Corliss, Richard. “Absolute Power.” Time, (24 February 1997), 67.

Denby, David. “A Perfect World.” New York, (6 December 1993),118.

Denby, David. “Midnight in the Garden of Good and Evil,” New York, (1 December, 1997), 120.

Denby, David. “The Bridges of Madison County.” New York, (12 June 1995), 56.

Denby, David. “Unforgiven.” New York, (24 August 1992), 119.

Denby, David. “White Hunter, Black Heart.” New York, (1 October 1990), 56.

Dowell, Pat. “Unforgiven”, Cineaste, vol. XIX, 2-3 (1992), 72.

Ebert, Roger. “Million Dollar Baby: Shadow Boxer.”, Chicago Sun-Times, (7 January 2005), http://rogerebert.suntimes.com/apps/pbcs.dll/article

Ebert, Roger. “Mystic River.” Chicago Sun-Times, (October 2003), http://www.suntimes.com/cgi-bin/print.cgi

Edelstein, David. “Dirty Harry Wants to Say He’s Sorry (Again).” The New York Times, (Semptember 2003) http://www.nytimes.com/2003/09/28/movies/28EDEL.html

Estévez, María. “Clint Eastwood.” Cinemanía, 61 (October 2000), 58-64.

Felperin, Leslie. “The Bridges of Madison County.” Sight and Sound, 9 (1995), 46.

Fischoff, Stuart. “Clint Eastwood & The American Psyche—A Rare Interview.” Psychology Today, (January/February 1993), 38-41, 75-79.

Frayling, Cristopher. “Unforgiven.” Sight and Sound, 10 (1992), 58.

Fuller, Graham. “Where Eastwood Dares.” Daily News, (4 August 2002), 2.

Gallafent, Edward. Clint Eastwood: Actor and Director, Londres: Studio Vista, 1993.

Gentry, Ric.“Clint Eastwood: An Interview”, Post Script, 17.3 (1998), 3-24.

Giddins, Gary. “The Rookie.” Village Voice, (18 December 1990), 76.

Heredero, Carlos F. “Anatomía de una tragedia americana”, Dirigido, 327 (October 2003), 28-30.

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Holmlund, Chris (2002), “The Aging Clint.” In Impossible Bodies: Femininity and Masculinity at the Movies, London and Nueva York: Routledge, 141-156.

Kehr, Dave. “True Crime.” Film Comment, 35. 3 (1999), 86-87.

Knapp, Laurence F., Directed by Clint Eastwood: Eighteen Films Analyzed. Jefferson: McFarland and Co., 1996.

Lasalle, Mick. “Million Dollar Baby.” San Francisco Chronicle, (25 December 2004), http://www.sfgate.com/cgi-bin/article.cgi

Magill, Marcia. “Bird.” Films in Review, (December 1988), 610.

Maslin, Janet. “’True Crime’: Getting in Touch With His Inner Good Guy.” The New York Times on the web, (19 March 1999) http://www.nytimes.com/library/film/031999crime-film-review.html

McCarthy, Todd. “’Bridges’ Spans Book’s Gaps: The Bridges of Madison County.” Variety, (22-28 May 1995), 91, 96.

McCarthy, Todd. “Eastwood’s Slow Stroll through ‘Garden’.” Variety, (24 November 1997), 63-64.

McCarthy, Todd. “Space Cowboys.” Variety, (31 July-6 August 2000), 23, 29.

McCarthy, Todd. “True Crime.” Variety, (15-21 March 1999), 37.

McDonald, Archie P. Shooting Stars: Heroes and Heroines of Western Film. Bloomington e Indianápolis, Indiana University Press, 1987.

Metz, Walter. “’Another Being We Have Created Called ‘Us’’: Point of View, Melancholia, and the Joking Unconscious in The Bridges of Madison County.” The Velvet Light Trap, 39 (1997), 66-83.

Miller, Jim (1987), “Clint Eastwood: A Different Kind of Western Hero.” In Shooting Stars: Heroes and Heroines of Western Film. Archie P. McDonald. Bloomington e Indianápolis: Indiana University Press, 1987, 182-195.

Moore, Suzanne. “Bird.” New Statesman & Society, (2 December 1988), 52.

Navarro, Antonio José. “Más Allá del Cuadrilátero”, Dirigido, 342 (February 2005), 20-23.

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Rich, Frank. “How Dirty Harry Turned Commie.” The New York Times on the web (13 February 2005), http://www.nytimes.com/2005/02/13rich.html

Romney, Jonathan. “A Perfect World.” New Statesman & Society, (17-31 December 1993), 58.

Ross, Lillian. “El hombre que sabe envejecer.” El País Semanal, 1405 (31 August 2003), 46-53. (Previously published in The New Yorker).

Sanderson, Jim y Cecil Johnson (2000), “Clint Eastwood’s Last Cowboy: The Bridges of Madison County.”Post Script, 19. 3 (2000), 41-57.

Scheck, Frank. “The Bridges of Madison County.” Christian Science Monitor (2 June 1995), 12.

Schickel, Richard. “Clint on the Back Nine.” Film Comment, 32.3 (May-June 1996), 11-14.

Schickel, Richard. Clint Eastwood: A Biography, Nueva York: Knopf, 1996.

Scott, A. O. “’Space Cowboys’: Voices of Experience, Rocketing to the Rescue.” The New York Times on the web (4 August 2000) http://www.nytimes.com/library/film/080400space-fim-review.html

Scott, A. O. “3 People Seduced by the Bloody Allure of the Ring.” The New York Times (15 December 2004) http://movies2.nytimes.com/2004/12/15/movies/15baby.html

Scott, A. O. “Dark Parable of Violence Avenged.” The New York Times, (October 2003), http://movies2.nytimes.com/2003/10/03/movies/03MYST.html

Scott, A. O. “Forget About Retirement, There’s a Killer to Catch.” The New York Times, (9 August 2002), 13.

Smith, Paul. Clint Eastwood: A Cultural Production, Londres, UCL Press, 1993.

Stein, Elliot. “White Hunter, Black Heart.”, Village Voice (25 September 1990) 67.

Sterrit, David. “Unforgiven.” Christian Science Monitor (13 August 1992), 12.

Taubin, Amy. "An Upright Man." Sight and Sound, 3.9, (1993), 9-10.

Taubin, Amy. “Midnight in the Garden of Good and Evil.” Village Voice (2 December 1997), 84.

Taubin, Amy. “Unforgiven.” Village Voice (18 August 1992), 52.

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Variety,“The Rookie”, 391.9 (10 December 1990), 84-85.

Verniere, James. “Dirty Harry’s Heart is in the Right Place”, The Boston Herald, (9 August 2002), 505.

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Weinrichter, Antonio “Sin Perdón: Convocar al Diablo.” Dirigido, 205, (September 1992), 30-33.

Weinrichter, Antonio. “El Demonio de las Armas: Un Mundo Perfecto”, Dirigido, 219 (December 1993), 18-21.

Wootton, Adrian.“Play Madigan for Me.” Sight and Sound, 13.11 (2003), 12-14.

Wrathall, John. “True Crime.” Sight and Sound, 9.6 (1999), 53-54.

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