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Bernardi, Daniel. Introduction: Race and the Hollywood Style. In Classic Hollywood. Classic Whiteness. Minneapolis, London: Univeristy of Minesota Press, 2001, xiii-xxv.
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Bogle, Donald. Blacks in American Films and Television: An Illustrated Encyclopedia. New York: Fireside, 1988.
Bowser, Pearl and Louise Spence. "Oscar Micheaux's Body and Soul and the Burden of Representation", Cinema Journal 39, no. 3 (Spring 2000), 3-29.
Butters, Gerald R., Jr. "Portrayals of Black Masculinity in Oscar Micheaux's The Homesteader," Literature Film Quarterly 28, no. 1 (2000), 54-59.
Butters, Gerald R., Jr. Black Manhood on the Silent Screen. Lawrence: University Press of Kansas, 2002.
Cripps, Thomas. Slow Fade to Black: The Negro in American Film, 1900-1942. New York: Oxford University Press, 1977.
Diawara, Manthia, ed. Black American Cinema. New York and London: Routledge, 1993.
Diawara, Manthia. "Black Spectatorship: Problems of Identification and Resistance," Screen 29, no. 4 (1988), 66-81.
Felperin, Leslie. Monsters Ball. Sight and Sound, 12:6, 46, (2002).
Gabbard, Krin. Black Magic. White Hollywood and African American Culture. New Brunswick, New Jersey, London: Rutgers University Press, 2004.
Gaines, Jane. "The Scar of Shame: Skin Color and Caste in Black Silent Melodrama," Cinema Journal 26, no. 4 (Summer 1987), 3-21, reprinted in Valerie Smith, ed. Representing Blackness: Issues in Film and Video (1997).
Gardner, Leroy. White/Black Race Mixing. Minnesota: Paragon House, 2000.
George, Nelson. Blackface: Reflections on African-Americans and the Movies. New York: HarperCollins, 1994.
Goldsmith, David F. Monsters Ball. Screenplay by Milo Addica and Willl Rokos. Creative Screenwriting, 9, 1, (2002), 22-25.
Grupenhoff, Richard. "The Rediscovery of Oscar Micheaux, black Film Pioneer," Journal of the University Film and Video Association 40, no. 1 (Winter 1988), 40-48.
Guerreo, Ed. Spike Lee and the Fever in the Racial Jungle. In. Film Theory Goes to the Movies. Jim Collins, Hilary Radner and Ava Preacher, eds. New York & London: Routledge, 170-181, 1993.
Guerrero, Ed. Framing Blackness. The African American Image in Film. Philadelphia: Temple Univeristy Press, 1993.
Hazelton, John. Case Study: Monsters Ball. Screen International, 1346.1, 23, (2002).
Hohman, Kimberly. The Colors of Love. The Black Persons Guide to Interracial Relationships. Chicago: Lawrence Hill Books, 2002.
Hooks, Bell . Black Looks. Race and Representation. Boston: South End Press, 1992.
Hooks, Bell. Yearning Race, Gender and Cultural Politics. Boston MS: South End Press, 1990.
Jones, G. Williams. Black Cinema Treasures: Lost and Found. Denton: University of North Texas Press, 1991.
Katz, William Loren. The Black West: A Documentary and Pictorial History of the African American Role in the Western Expansion of the United States. New York: Simon and Schuster, 1996.
Kisch, John and Mapp, Edward. A Separate Cinema: Fifty Years of Black Cast Posters. New York: Noonday Farrar, 1992.
Koppes, Clayton R. And Black, Gregory D. "Blacks, Loyalty, and Motion-Picture Propaganda in World War II", Journal of American History 73 (September 1986), 383-406.
Kwan, Sansan and Kenneth Speirs, eds. Mixing It Up. Multirracial Subjects. Austin: University of Texas Press, 2004.
Leab, Daniel J. From Sambo to Superspade: The Black Experiene in Motion Pictures. Boston: Houghton Mifflin, 1975.
Leyda, Julia. "Black-Audience Westerns and the Politics of Cultural Identification in the 1930s", Cinema Journal 42, no. 1 (2002), 46-70.
Lott, Tommy L. Hollywood and Independent Black Cinema. In Contemporary Hollywood Cinema. Steve Neale and Murray Smith, eds. Routledge: London and New York, 1998, 211-228.
Lubiano, Wahneema, ed. The House That Race Built. New York: Vintage, 1998.
Manatu, Norma. African American Women and Sexuality in the Cinema. Jefferson, North Carolina and London: McFarland and Company Inc., Publishers, 2003.
Moran, Rachel F. Interracial Intimacy. The Regulation of Race and Romance. Chicago: The University of Chicago Press, 2001.
Nash, Renea D. Coping with Interracial Dating. New York: The Rosen Publishing Group, INC, 1993.
Regester, Charlene. "Lynched, Assaulted, and Intimidated: Oscar Micheaux's Most Controversial Films," Popular Culture Review 5, no. 1 (February 1994), 47-55.
Reid, Mark A. Postnegritude Visual and Literary Culture. New York: State University of New York Press, 1997.
Reid, Mark A. Redefining Black Film. Berkeley: University of California Press, 1993.
Romano, Renee C. Race Mixing. Black-White Marriage in Postwar America. London: Harvard University Press, 2003.
Ross, Karen. Black and White Media. Black Images in Popular Film and Television. Cambridge: Polity Press, 1996.
Sampson, Henry T. Blacks in Black and White: A Source Book on Black Films, 2d ed. Metuchen, N.J.: Scarescrow Press, 1995.
Santaolalla, Isabel C. The Fever and the Itch: Matching Plots in Spike Lees Jungle Fever. In Tearms of Endearment. Hollywood Romantic Comedy of the 1980s and 1990s. Peter W. Evans and Celestino Deleyto, eds. Edinburgh: Edinburgh University Press, 1998, 148-167.
Smith, Valerie, ed. Representing Blackness: Issues in Films and Video. New Brunswick, N.J.: Rutgers University Press, 1997.
Stephens, Gregory. Romancing the Racial Frontier: Mediating Symbols in Cinematic Interracial Representation. Spectator, 16, 1, (1995), 59-73.
Stewart, Jacqueline Najuma. Migrating to the Movies: Cinema and Black Urban Modernity. California University Press, 2005.
Watkins, S. Craig. Guetto Reelness: Hollywood Film Production, Black Popular Culture and the Guetto Action Film Cycle. In Genre and Contemporary Hollywood. Steve Neale, ed. London: BFI, 2002, 236-250.
Williams, Linda. Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson. Princeton University Press, 2001.
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