Genre

Altman, Rick. “A Semantic/Syntactic Approach to Film Genre.” In Film Genre Reader II. Barry Keith Grant, ed. Austin: University of Texas Press, 1995 (1984), 26-40.

Altman, Rick. The American Film Musical. Bloomington and Indianapolis: Indiana University Press, 1987.

Altman, Rick . Film/Genre. London: BFI, 1999.

Bourget, Jean-Loup “Social Implications in the Hollywood Genres.” In Film Genre Reader II. Barry Keith Grant, ed. Austin: University of Texas Press, 1995 (1984), 50-58.

Browne, Nick. Refiguring American Film Genres: Theory and History. Berkeley, Los Angeles and London: University of California Press, 1998.

Buscombe, Edward. “The Idea of Genre in the American Cinema.” In Barry Keith Grant, ed. Austin: University of Texas Press, 2003, 11-25.

Cawelti, John G. 1979. “Chinatown and Generic Transformation in Recent American Films.” In Barry Keith Grant, ed. Austin: University of Texas Press, 2003, 227-245.

Cordova, Richard de 1986. “Genre and Performance: An Overview.” In Film Genre Reader III. Barry Keith Grant, ed. Austin: University of Texas Press, 2003, 129-139.

Derrida, Jacques. “The Law of Genre.” Glyph: Textual Studies, 7, 1980, 176-232.

Dixon, Wheeler Winston, ed. Film Genre 2000: New Critical Essays. New York: State of New York University Press, 2000.

Gledhill, Christine. “Rethinking genre.” In Christine Gledhill and Linda Williams, eds. Reinventing Film Studies. London: Arnold, 2000, 221-243.

Grant, Barry Keith, ed. Film Genre Reader III. Austin: University of Texas Press, 2003.

Grant, Barry Keith. 1986. “Experience and Meaning in Genre Films.” In Barry Keith Grant, ed. Austin: University of Texas Press, 2003, 114-28.

Grobal, Torben. Moving Pictures: A New Theory of Film Genres, Feelings and Cognition. Oxford: Clarendon Press, 1997.

Hess Wright, Judith. “Genre Film and the Status Quo.” In Barry Keith Grant, ed. Austin: University of Texas Press, 2003, 50-8.

Jankovich, Mark . “A Real Shocker: Authenticity, genre and the struggle for distinction.” In Graeme Turner, ed. The Film Cultures Reader. London and New York: Routledge, 2002.

Kaminsky, Stuart M. American Film Genres. Chicago: Nelson-Hall, 1985 (2nd ed.).

Klinger, Barbara. “Cinema/Ideology/Criticism Revisited: The Progressive Genre.” In Barry Keith Grant, ed. Austin: University of Texas Press, 2003, 74-90.

Matthews, Nicole. Comic Politics: Gender in Hollywood Comedy after the New Right. Manchester: Manchester U.P, 2000.

Neale, Steve. Genre. London: BFI, 1980.

Sobchack, Thomas. “Genre Film: A Classical Experience.” In Barry Keith Grant, ed. Austin: University of Texas Press, 2003, 102-113.

Neale, Steve. “Questions of Genre.” In Barry Keith Grant, ed. Austin: University of Texas Press, 2003, 159-86.

Neale, Steve. Genre and Hollywood. London and New York: Routledge, 2000.

Ryall, Tom 1998. “Genre and Hollywood.” In The Oxford Guide to Film Studies. John Hill and Pamela Church Gibson, eds. 1998. Oxford: Oxford University Press.

Ryan, Michael and Douglas Kellner 1990. Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. Blomington and Indianapolis. Indiana U.P.,. (chapter 3)

Schatz, Thomas 1981. Hollywood Genres: Formulas, Filmmaking and the Studio System. New York: McGraw-Hill.

Schatz, Thomas. “The Structural Influence: New Directions in Film Genre Study” in Barry Keith Grant, ed., 1997, 91-101.

Taves, Brian. The Romance of Adventure: The Genre of Historical Adventure Movies. Jackson: University Press of Mississippi, 1993.

Tudor, Andrew 1973. “Genre” in Barry Keith Grant, ed.: 3-10.

Williams, Linda 1991. “Film Bodies: Gender, Genre, and Excess” in Barry Keith Grant, ed.: 140-58.

Wood, Robin 1977. “Ideology, Genre, Auteur” in Barry Keith Grant, ed.: 50-73.