Marlene Dietrich
Bach, Steven. Marlene Dietrich: Life and Legend. New York: William Morrow and Company, Inc. 1992.
Baxter, Peter. On the Naked Thighs of Miss Dietrich, Wide Angle, vol. 2, no. 2 (Spring 1978), 18-25.
Baxter, Peter. Sternberg. London: Film Institute, 1980.
Baxter, Peter. Just Watch! Sternberg, Paramount and America. London: British Film Institute, 1993
Desjardins, Mary. Meeting Two Queens: Feminist Film-making, Identity Politics, and the Melodramatic Fantasy, Film Quarterly, vol. 48, no. 3 (Spring 1995), 26-33
DelGaudio, Sybil. Dressing the Part: Sternberg, Dietrich and Costume. London and Toronto: Associated University Press,1993.
Fischer, Lucy. Marlene: Modernity, Mortality, and the Biopic. Biography, 23.1 (Winter 2000), 193-11.
Frewin, Leslie. Dietrich. New York: Stein and Day, 1967.
Griffith, Richard. Marlene Dietrich: Image and Legend. New York, The Museum of Modern Art Film Library: Doubleday & Company, 1959, 7-13.
Hanut, Eryk. I Wish You Love: Conversations With Marlene Dietrich. Berkeley, California: Frog Ltd. 1996.
Higham, Charles. Marlene: The Life of Marlene Dietrich. New York: W.W. Norton & company Inc. 1977.
Jacobowitz, Florence. Power & the Masquerade: The Devil Is a Woman, CineAction!, 8 (1987), 32-41.
Jacobowitz, Florence. What Does a Man Know About Mother Love? Blonde Venus. CineAction! no. 21/22 (Summer/Fall 1990), 35-45.
Jacobowitz, Florence S. Critical Realism: The Sternberg/Dietrich Collaborations. Ph.D. dissertation, Social and Political Thought, York University, Ontario (Canada), 1991.
Jacobobwitz, Florence S. The Dietrich Westerns: Destry Rides Again and Rancho Notorious, in Cameron, Ian and Pye, Douglas eds. The Movie Book of the Western. London: Studio Vista, 1996, 88-98.
Johnston, Claire. Womens Cinema as Counter-Cinema, in Nichols, Bill, ed. Movies and Methods. Berkeley, CA: University of California Press, 1976, 208-17.
Kaplan, E. Ann. Fetishism and the representation of Motherhood in Von Sternbergs Blonde Venus (1932), Women and Film: Both Sides of the Camera. London: Methuen, 1983.
Kaplan, E. Ann. Trauma and Aging: Marlene Dietrich, Melnie Klein, and Margerine Duras. In Figuring Age: Women, Bodies, Generations. Kathleen Woodward, ed. Bloomington & Indianapolis: Indiana University Press, 1999.
Knight, Arthur. Marlene Dietrich: Notes on a Living Legend, Films in Review, vol. V, no. 10, 1954, 497-514.
Loewenstein, Joseph, and Tatlock, Lynne. The Marshall Plan at the Movies: Marlene Dietrich and Her Incarnations, The German Quarterly, vol. 65, nos. 3-4, (Summer-Fall 1992), 429-42.
Loyo, Haria. En la estela de Carmen: Marlene Dietrich in The Devil Is a Woman, Archivos de la filmoteca, no. 51 (Octubre 2005), 49-65.
Loyo, Hilaria. A Carmenesque Dietrich in The Devil is A Woman: Erotic Scenarios, Modern Desires and Cultural Differences between the USA and Spain. In Carmen: From Silent Film to MTV. Chris Perriam and Ann Davies, eds. Amsterdam & New York: Rodopi, 2005, 75-89.
Loyo, Hilaria. Los avatares de Lorelei: la identidad nacional de Marlene Dietrich desde Weimar hasta la II Guerra Mundial, Archivos de la filmoteca, no. 40 (Febrero 2002), 108-125.
Loyo, Hilaria. Las estrellas y los deseos femeninos bajo la mirada de la Historia: el caso de Marlene Dietrich, Secuencias. Revista de Historia de Cine, no. 15, 2002, 18-31.
McCormick, Richard W. From Caligari to Dietrich: Sexual, Social, and Cinematic Discourses in Weimar Film, Signs: Journal of Women in Culture and Society, vol. 18, no. 3 (Spring 1993), 640-68.
Mulvey, Laura. Visual Pleasure and Narrative Cinema, Screen, vol. 16, no. 3 (Autumn 1975) [reprinted in Feminism and Film Theory. Constance Penley, ed. London: BFI/ New York: Routledge, 1988, 57-68.]
OConnor, Patrick. Dietrichs Own Style: The Amazing Blonde Woman. London: Bloomsbury, 1991.
Sternberg, Josef von. Fun in a Chinese Laundry. New York: Collier Books, 1973 (1965).
Studlar, Gaylyn. In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic. Urbana and Chicago: University of Illinois Press, 1988.
Studlar, Gaylyn. Masochism, Masquerade, and the Erotic Metamorphoses of Marlene Dietrich, in Gaines, Jane and Herzog, Charlotte eds. Fabrications: Costume and the Female Body. New York: Routledge, 1990.
Sudendorf, Werner. Marlene Dietrich. München: Deutscher Taschenbuch Verlag, 2001
Thomas, Deborah. Blonde Venus (1932). Movie no. 34/5 (Winter 1990), 7-15.
Vernon, Kathleen M. Remaking Spain: Trans/national Mythologies and Cultural Fetishism in The Devil is A Woman (Sternberg, 1935) and Cet obscur object du désir (Buñuel, 1977), Journal of Romance Studies, vol. 4 no. 1, 2004,13-27.
Walker, Alexander. Dietrich. London: Mandarin Paperback, 1989 (1984).
Weiss, Andrea. I Get a Queer Feeling When I Look at You: Hollywood Stars and Lesbian Spectatorship of the 1930s. In Stardom: Industry of Desire. Christine Gledhill, ed. New York: Routledge, 1992.
Weiss, Andrea. Vampires and Violets: Lesbians in the Cinema. London: Jonathan Cape, 1992.
Wood, Michael. 1988. Dietrich: Empress of Signs, Women & Literature, vol. 4, 1988, 153-68.
Wood, Robin. The Play of Light and Shade: The Scarlet Empress, in Personal Views: Exploration in Film. London: Gordon Frazer, 1976.
Wood, Robin. Venus of Marlene, Film Comment, vol. 14, no. 2 (March-April 1978), 58-63.
Wood, Robin. Rancho Notorious: A Noir Western in Colour, CineAction!, nos. 13/14 (Summer 1988), 83-93.
Zucker, Carol. The Idea of the Image: Josef von Sterbergs Dietrich Films. London and Toronto: Associated University Press, 1988.
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