Musical
Altman, Rick. The American Film Musical as Dual-Focus Narrative. In Hollywood Musicals, The Film Reader. Steven Cohan, ed London & New York: Routledge, 2002, 41-51.
Altman, Rick. The Musical. In The Oxford History of World Cinema. Geoffrey Nowell-Smith, ed. Oxford: Oxford University Press, 1996, 294-303.
Altman, Rick. The American Film Musical. Indianapolis: Indiana UP, 1987.
Altman, Rick. Genre: The Musical. London and Boston: Routledge & Kegan Paul, 1981.
Arbuthnot, Lucie and Gail Seneca. Pre-Text and Text in Gentlemen Prefer Blondes. In Hollywood Musicals, The Film Reader. Steven Cohan, ed. London & New York: Routledge, 2002, 77-85.
Babington, B. and Evans, P. W. Blue Skies and Silver Linings: Aspects of the Hollywood Musical. Manchester: Manchester U. P., 1985.
Barrios, Richard. A Song in the Dark: The Birth of the Musical Film. New York: Oxford University Press, 1995.
Clover, Carol J. Dancin in the Rain. In Hollywood Musicals, The Film Reader. Steve Cohan, ed. London & New York: Routledge, 2002, 157-173.
Cohan, Steven. Incongruous Entertainment: Camp, Cultural Value and the MGM Musical. Duke U.P., 2005.
Cohan, Steven, ed. Hollywood Musicals, The Film Reader. London & New York: Routledge, 2002.
Cohan, Steven. Feminizing the Song-and-Dance Man: Fred Astaire and the spectacle of masculinity in the Hollywood musical. Hollywood Musicals, The Film Reader. London & New York: Routledge, 2002, 87-101.
Collins, J. M. The Musical. In The Handbook of American Film Genres. W. D. Gehring. Westport: Greenwood Press, 1998, 269-84.
Delameter, J. Dance in the Hollywood Musical. Ann Arbor: UMI Research Press, 1981.
Dyer, Richard. Entertainment and Utopia. In Hollywood Musicals, The Film Reader. Steven Cohan, ed. London & New York: Routledge, 2002, 19-30
Dyer, Richard. The Sound of Music, Movie no. 23 (1976/77).
Dyer, Richard. A Star Is Born and the construction of authenticity. In Star Signs Christine Gledhill, ed. London: BFI Education, 1982.
Feuer, Jane. The Self-Reflective Musical and the Myth of Entertainment, In Hollywood Musicals, The Film Reader. Steven Cohan, ed. London & New York: Routledge, 2002, 31-40.
Feuer, Jane. The Hollywood Musical. 2nd edition. Bloomington: Indiana U. P., 1993.
Flinn, Caryl. Strains of Utopia: Gender, Nostalgia, and Hollywood Film Music. Princeton: Princeton University Press, 1993.
Grant, B. K. The Classic Hollywood Musical and the Problem of Rock n Roll. Journal of Popular Film and Television 13. 4 (1986), 195-205.
Kobal, John. Gotta Sing Gotta Dance: A Pictorial History of Film Musicals. London, Sydney, New York, Toronto: Hamlyn, 1973 (1971).
Lawson-Peebles, R., ed. Approaches to the American Musical. Exeter: Exeter U. P., 1996.
Marshall, Bill and Stilwell, Robynn, eds. Musicals: Hollywood and Beyond. Portand, OR & Exeter, Engl.: Intellect TM. , 2000.
Mast, G. Cant Help Singin: The American Musical on Stage and Screen. Woodstock: Overlook Press, 1987.
Medhurst, Andy. The musical. In The Cinema Book. Pam Cook, ed. London: BFI, 1992, 106-112.
Mellencamp, Patricia. Sexual Economics: Gold Diggers of 1933. In Hollywood Musicals, The Film Reader. Steven Cohan, ed. London & New York: Routledge, 2002, 65-76.
Neale, Steave. Musicals. Genre and Hollywood. London & New York: Routledge,2000, 104-112.
Roberts, S. The Lady in the Tutti-Frutti Hat: Carmen Miranda, a Spectacle of Ethnicity, Cinema Journal 32. 3 (1993), 3-23.
Sanjjek, R. Pennies From Heaven: The American Popular Music Business in the Twentieth Century. New York: Da Capo, 1996 (1988).
Schatz, Thomas. The Musical. Hollywood Genres. New York: Random House, 1981, 186-220.
Smith, Susan. The Musical: Race, Gender and Performance. London and New York: Wallflower, 2005.
Stearns, M. and Stearns J. Jazz Dance: The Story of American Vernacular Dance. New York: Da Capo, 1994 (1968).
Telotte, J. P.Ideology and the Kelly-Donen musicals, Film Criticism 8. 3. (1984)
Wood, Michael. Darkness in the Dance. America in the Movies, or Santa Maria, It Had Slipped My Mind. New York: Basic Books, 1975, 146-64.
Wood, Robin. Art and ideology: notes on Silk Stockings. In Genre: The Musical. Rick Altman, ed.. London: BFI Publishing/Routledge Kegan Paul, 1981.
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